French music. Is there such a thing? In the 21st century? And if so – how does one define the maximum permissible value of "world" that can be absorbed by the French (or indeed any other idiom) before it disappears?
Mark Andre — riss 2
Raphaël Cendo — Corps Austrian Premiere
Yann Robin — Arkham Austrian Premiere
Joonas Ahonen, piano
conductor: Emilio Pomàrico