Jungeun Park — Stained-echo

Both in tonal and atonal music, the aim was always to play with familiar patterns and to either expand or to destroy them. more

 in Werke

Hakan Ulus — Tā Hā

Reciting these introductory letters is powerful, it reveals an aesthetic experience which is aware of its metaphysical power. more

 in Werke

Nina Šenk — Gouache

My approach to a new composition originated from the selection of colours - the chosen colours dictated the patterns and structures of the piece. more

 in Werke

Vinko Globokar — Bouquet de paramètres sauvages

I hope that in this Bouquet every member of the audience will discover their wild flower. more

 in Werke

Wolfram Schurig — fünf ostinati

The term "ostinato" serves as metaphor for everything that seems to be familiar – my insistence on the kind of inventory in which, with the passage of time, I have made myself at home. more

 in Werke

Elisabeth Schimana — Virus #3.3

In the "Virus series" I opted for the language most familiar to me – live generated electronics – listening. more

 in Werke

Jan van de Putte — Cette agitation perpétuelle, cette turbulence sans but

This is a world in which thoughtfulness – whether right or wrong – seems to lose its value and is replaced by people "surfing" on the surface of things. more

 in Werke

Eduardo Moguillansky — Resilienztraining

The piece is constructed in the shape of several attempts at a continuing expansion. It could also go further. more

 in Werke

Koka Nikoladze — 21.10.18

The keyword I had in mind when composing "21.10.18" was "immediacy" — something I’ve been missing a lot when working with common notation in the traditional manner. more

 in Werke

Mirela Ivičević — Case White

I consider sound a space of freedom to imagine the seemingly impossible. more

 in Werke

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