Chris Swithinbank — this line comes from the past

We might be tempted to think of music as some kind of universal vibration that we can all soak in, but instead music relies on a community, the people it is for. more

 in Werke

Nuno Costa — Lillar-D

I believe that the reflection on the specific world that surrounds me is the path that brings me to the sound universe in which I dwell. more

 in Werke

Timothy McCormack — Sediment

There is something foundational to the idea of sediment: drill into the earth and you will find this layer of striated rock beneath its crust, enveloping the core. more

 in Werke

Jungeun Park — Stained-echo

Both in tonal and atonal music, the aim was always to play with familiar patterns and to either expand or to destroy them. more

 in Werke

Hakan Ulus — Tā Hā

Reciting these introductory letters is powerful, it reveals an aesthetic experience which is aware of its metaphysical power. more

 in Werke

Gerd van Looy — The Observer as Part of the Experience (A Short Self Portrait)

Since the beginning of the 21st century and – together with the rise of internet, peer-to-peer and sharing culture – "new music" has entered a new time zone. more

 in Features

Enno Poppe — The already Established and the New Ensembles

Young composers are in need of young musicians. The collaboration with musicians who belong to their parents’ generation is important, instructive and good. more

 in Features

Nina Šenk — Gouache

My approach to a new composition originated from the selection of colours - the chosen colours dictated the patterns and structures of the piece. more

 in Werke

Vinko Globokar — Bouquet de paramètres sauvages

I hope that in this Bouquet every member of the audience will discover their wild flower. more

 in Werke

Wolfram Schurig — fünf ostinati

The term "ostinato" serves as metaphor for everything that seems to be familiar – my insistence on the kind of inventory in which, with the passage of time, I have made myself at home. more

 in Werke

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