Enno Poppe — The already Established and the New Ensembles

Young composers are in need of young musicians. The collaboration with musicians who belong to their parents’ generation is important, instructive and good. more

 in Features

Nina Šenk — Gouache

My approach to a new composition originated from the selection of colours - the chosen colours dictated the patterns and structures of the piece. more

 in Werke

Vinko Globokar — Bouquet de paramètres sauvages

I hope that in this Bouquet every member of the audience will discover their wild flower. more

 in Werke

Wolfram Schurig — fünf ostinati

The term "ostinato" serves as metaphor for everything that seems to be familiar – my insistence on the kind of inventory in which, with the passage of time, I have made myself at home. more

 in Werke

Elisabeth Schimana — Virus #3.3

In the "Virus series" I opted for the language most familiar to me – live generated electronics – listening. more

 in Werke

Jan van de Putte — Cette agitation perpétuelle, cette turbulence sans but

This is a world in which thoughtfulness – whether right or wrong – seems to lose its value and is replaced by people "surfing" on the surface of things. more

 in Werke

Unrivalled peculiarity. Reviews from Donaueschingen

The Donaueschinger Musiktage is the oldest and most renowned festival for new music worldwide. For the ninth time, the Klangforum Wien performed in Donaueschingen. A few press reviews (in German only) more

 in Audio ,Review ,Video

Eduardo Moguillansky — Resilienztraining

The piece is constructed in the shape of several attempts at a continuing expansion. It could also go further. more

 in Werke

Koka Nikoladze — 21.10.18

The keyword I had in mind when composing "21.10.18" was "immediacy" — something I’ve been missing a lot when working with common notation in the traditional manner. more

 in Werke

Mirela Ivičević — Case White

I consider sound a space of freedom to imagine the seemingly impossible. more

 in Werke