Jorge Villavicencio Grossmann — Siray III - Cuadrados Concéntricos

World premiere, October 12, 2018, Nicosia, Pharos Arts Foundation
The idea of weaving does show itself in all "Siray" pieces particularly in the way the instruments interact and interweave with one another as they create contrasting musical textures. more

 in Werke

Thomas Simaku — Klang Inventions

World premiere, October 12, 2018, Nicosia, Pharos Arts Foundation
Specific instruments take a leading role in the musical argument at strategic stages of the formal structure, and are highlighted for their colour, virtuosity and their expressive qualities. more

 in Werke

Evis Sammoutis — Secret Garden

World premiere, October 12, 2018, Nicosia, Pharos Arts Foundation
Animal sounds play an important role in my works and animals play a big role in many of Arshak’s [Sarkissian] drawings. more

 in Werke

Bernd Richard Deutsch — Murales

I often thought of Jackson Pollock, of the rhythm and swing in his works, of the nearly cosmic energy that he sets free and captivates. And, above all, of his large-scale "Mural". more

 in Werke

Friedrich Cerha — Kurzzeit

This work is without melodics or themes. As if out of nowhere, a multi-coloured, polyrhythmic web is created by the superposition of rapid sound-repetitions in the individual parts. more

 in Werke

Jeff Weston — houses

My work aims to invite experiences of the subtle, often through moments of floating time. more

 in Werke

Agata Zubel — Bildbeschreibung

He and she, trapped in a picture, enclosed in frozen time. more

 in Werke

Brigitta Muntendorf — More Chaos, please! Contemporary Music and Culture in the Digital Age

The digital revolution is currently showing us to what extent chaotic, non-linear and reciprocal processes are able to evoke creativity, productivity, communality, resonance and vitality. more

 in Features

Sylvain Cambreling in Conversation

For 20 years now Sylvain Cambreling has accompanied the Klangforum Wien as its first Guest Conductor. more

 in Features

Koka Nikoladze — 21.10.18

World premiere, October 21, 2018, Donaueschinger Musiktage
The keyword I had in mind when composing "21.10.18" was "immediacy" — something I’ve been missing a lot when working with common notation in the traditional manner. more

 in Werke

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