Martino Traversa — The lost horizon

A reinvention of syntactic mechanisms that best respond to the linguistic complexity of contemporary music, free from the conditioning of a lexicon and gestures (alas) now too much abused. more

 in Werke

Live-recording at Acht Brücken #KlangforumOnAir

On May 2, 2019, at the Trinitatiskirche in Cologne, Klangforum Wien engaged with the orchestral development of two works by Georges Aperghis. It also premiered new works by Georg Friedrich Haas, Rebecca Saunders and Ying Wang. The recording of the concert can be listened to on WDR3 for 30 days. more

 in Audio ,News

Live-recording at Acht Brücken #KlangforumOnAir

At this year's Acht Brücken festival in Cologne Klangforum Wien presented the third part of Alberto Posada's "Poética del espacio" as well as the German premiere of "im Schatten der Harfen" by Georg Friedrich Haas and "Contretemps" by Georges Aperghis. A live-recording of the concert is available on WDR 3 for 30 days. more

 in Audio ,News

Rebecca Saunders — Scar

It is impossible to name or say at this stage, but central primary thoughts follow two threads. more

 in Werke

Alberto Posadas — Poética del espacio

"Umbrales evanescentes" - the 3rd piece of the composition series "Poética del espacio": the poetic image gives space the property of experience in time. more

 in Werke

Ying Wang — Schmutz

Plastic in the oceans, oil in the plumage, noise in the ear, poison in the food, pestilence in the air, fear in the thoughts. My music speaks of this ordeal. more

 in Werke

POWER-SPACE. The New Subscription Series

New Music creates a field of highly diverse forces. Spiral-shaped, it expands our perceptions and perspective. It allows our sense of space to unfold and release hitherto undreamt-of dynamics. more

 in News

Happiness Machine — The Movies and the Compositions

Ten women filmmakers, ten women composers and ten musicians bring Christian Felber’s Common Good Economy up for discussion through the medium of animated film, music and by means of advanced participatory forms of music theatre. more

 in Werke

Chris Swithinbank — this line comes from the past

We might be tempted to think of music as some kind of universal vibration that we can all soak in, but instead music relies on a community, the people it is for. more

 in Werke

Nuno Costa — Lillar-D

I believe that the reflection on the specific world that surrounds me is the path that brings me to the sound universe in which I dwell. more

 in Werke

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